‘Why did she stand before me with the candle in her hand, with her cruel contemptuous eyes fixed on me, and the glittering serpent, like a familiar demon, on her breast?’
In this dark novella of Victorian horror, George Eliot explores clairvoyance, fate and the possibility of life after death.
One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics’ huge range and diversity, with works from around the world and across the centuries – including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
Review
”George Eliot’s Gothic story . . . continues her preoccupation with human communication and sympathy through the figure of the telepathic narrator. Latimer, one of her least likeable characters, suffers tremendously under his heightened awareness of others’ petty and selfish thoughts. Latimer chooses to tell the story of his abilities as a tale of disability, a kind of pathography about his gift . . . . The vehemence of his disgust for human frailties suggests that Latimer’s pain derives at least in part from his failure of empathy for others . . . Thus, his uncanny hearing unmasks a kind of sympathetic deafness to others, and his progressive heart disease indexes the shriveling of his capacity for human love and friendship.” –Literature Arts Medicine Database
”Enormously intelligent.” –New York Times
“I wanted them all, even those I’d already read.”
—Ron Rosenbaum, The New York Observer
“Small wonders.”
—Time Out London
“[F]irst-rate…astutely selected and attractively packaged…indisputably great works.”
—Adam Begley, The New York Observer
“I’ve always been haunted by Bartleby, the proto-slacker. But it’s the handsomely minimalist cover of the Melville House edition that gets me here, one of many in the small publisher’s fine ‘Art of the Novella’ series.”
—The New Yorker
“The Art of the Novella series is sort of an anti-Kindle. What these singular, distinctive titles celebrate is book-ness. They’re slim enough to be portable but showy enough to be conspicuously consumed—tiny little objects that demand to be loved for the commodities they are.”
—KQED (NPR San Francisco)
“Some like it short, and if you’re one of them, Melville House, an independent publisher based in Brooklyn, has a line of books for you… elegant-looking paperback editions …a good read in a small package.”
—The Wall Street Journal
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